March 24, 2012 § 3 Comments
While my previous browsing of Salon livrets focused purely on works by and after Franz Xaver Winterhalter, I set aside a bit of time to research the works by (and after) Hermann Winterhalter that were also shown at this premier Parisian exhibition event.
The results were quite surprising, as the first work by Hermann Winterhalter to be shown in Paris appeared at the Salon of 1838. Most Winterhalter scholars hitherto maintained that Hermann Winterhalter joined his brother in Paris in 1840, the event which was allegedly commemorated by a double portrait of the two brothers (1840, oil on canvas, Staatliche Kunsthalle, Karlruhe; FXW cat no 166); followed shortly by another joint double portrait in watercolours (1841, watercolour, Private Collection; FXW cat no 186).
The Salon livret on the other hand indicates that Hermann Winterhalter exhibited at the Salon two years prior to what was believed to be the date of his first arrival in Paris. The Salon exhibitions admitted works by foreign artists, and the Salon livret indicated if an artist was domiciled abroad. In the case of Hermann Winterhalter, the catalogues of 1838 and 1839 exhibitions clearly state that he lived in Paris, where his address (or at the very least his studio address) is listed as 34 rue de Lille and 15 rue des Petits-Augustins respectively. Most remarkably, these addresses differ from those given for Franz Xaver Winterhalter: this suggests that Hermann lived (and worked?) separately from his brother (although Franz Xaver occupied 15 rue des Petits-Augustins from 1836 to 1837). Separate addresses for both brothers continue being recorded in the Salon livrets until 1869, the last year of Hermann’s exhibition.
Hermann Winterhalter was represented at the Salon annually by single works from 1838 to 1841. He exhibited another work in 1844, Portraits des enfants de Mme la vicomtesse de B… (1798), for which he received 3rd Class Medal; and two more paintings were exhibited in 1847. This was the last appearance of his works for twenty two years, after which Hermann exhibited only once more, in 1869, when he showed two portraits (2426 and 2427). Further research is required to ascertain if any of Hermann Winterhalter’s submissions to the Salon were ever rejected by the jury.
Sadly, apart from Femme importunée par une guêpe, shown at the Salon of 1847 (1633), it is difficult to attribute any other of Hermann’s currently known works as his Salon pieces.
Summary of Hermann Winterhalter’s works at the Paris Salon between 1838 and 1869 (with the numbers of corresponding entries on the Hermann Winterhalter Catalogue page given in square brackets) is as follows: Salon 1838: #1800. Tête de Femme; étude [101a]; Salon 1839: #2131. Tête d’étude [101b]; Salon 1840: #1663. Jeune fille avec des fleurs [101c]; Salon 1841: #2019. Une conversation de jeunes femmes [101d]; Salon 1844: #1798. Portraits des enfants de Mme la vicomtesse de B… [108a]; Salon 1847: #1633. Femme importunée par une guêpe ; #1634. Tête de femme [112a]; Salon 1869 : #2426. Portrait de femme [131a]; #2427. Portrait d’homme [131b].
During this time, his addresses are given as 34 rue de Lille (1838); 15 rue des Petits-Augustins (1839-41); 5 rue Bergère (1844-47); and 11 Boulevard Clichy (1869). Apart from his own works, a lithograph by Alphonse-Léon Noël after Hermann’s painting known only as Les Deux Soeurs was shown at the Salon of 1842 (2119); and an engraving by Auguste-Adrien Jouannin after Betty was shown at the Salon of 1861 (3770).
© Eugene Barilo von Reisberg, 2012